1930 · ★ 3.0 (1)
With a script co-written by Weimar-era sexologist Magnus Hirschfeld, this enlightened drama deals with WWI soldiers who have become impotent due to wounds but still want to marry.
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2019 · ★ 0.0 (0)
After a mysterious encounter with a shaman in Texcoco, Mexico, Octavio Mendoza, a Mexico City based musician, starts a journey to reconcile with his femininity through his music, in order to become “La Bruja de Texcoco”.
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1975 · ★ 7.0 (1)
No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms the second part, we are asked, through Lucia, a young Chilean exile, the problem of integration into a new social environment. Finally, Jours de fer (Steel Blues), the third and only part available in English, is a cruel reminder of the harsh condition of the uprooted man who must find work at all costs to ensure his survival.
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— · ★ 0.0 (0)
Do you want to be in a documentary? A bunch of Englishmen have turned up at the casting for a film that turns out to be the one we are sitting and watching. A mixed gallery of characters, who paradoxically are hoping to be cast in the roles of themselves. 'I was Here' is a social experiment with brains, a heart and underplayed humour. The many attendees are as diverse as people are in the real world. Young and old, funny and bitter, self-confident and nervous - what are they hoping to find by taking part in a film? The obvious answer is the simplest one: themselves. We look on from the other side of the camera, as they take part in the experiment. The contradiction between authenticity and performance is not just a question of identity. It is also one of the basic conflicts of modern documentary filmmaking, which Ola Jankowska and Nathalie Bianchieri turn into both a premise and a method.
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2019 · ★ 0.0 (0)
The cosmic journey of sacred youth, during which pain, pleasure, and sublimation are nonnegotiable.
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2018 · ★ 0.0 (0)
Ural stand-up comedian Denis in one minute tells his whole sad life.
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2016 · ★ 1.3 (3)
As a chrysalis between dream and reality, to be another body, trans, be «another with others». An intimate deconstruction into the exploration of sexualit(ies).
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2018 · ★ 0.0 (0)
A girl heading home from school is met with a bigger version of herself who poses arbitrary challenges with unspeakable consequences. The little girl tries to keep up but suddenly the stakes are raised.
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1978 · ★ 0.0 (0)
Left to viewer interpretation, this beautiful dance piece displays a spiritual or religious initiation. A short work, this film was released as part of Shirley Clarke’s Four Journeys Into Mystic Time.
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2017 · ★ 0.0 (0)
In 2016, director Charlotte Røhder Tvedt sent out an open call for people all across Norway to document their world in the form of a film clip. More than 900 entries were submitted and from these contributions, Røhder Tvedt assembled a collage of beautiful everyday moments, personal confessions and kinetic bursts of dance and movement. As the film cycles through expressions of love, loneliness, joy and sorrow, patterns and connections appear and it becomes clear that Between Us is a film about how we relate to one another.
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2017 · ★ 0.0 (0)
The film follows the life of a couple of singers from Münster who became known for covering the most prominent voices of distinct eras of Schlager music. While Markus got recognition through youtube tributes to Udo Jürgens (known for introducing French Chanson in 1970’s Schlager) Steffi often performs the repertoire of Helene Fischer, a contemporary Schlager icon who opened the genre to a Global Pop standard.
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1987 · ★ 7.0 (2)
Once upon a time, a young and cheerful painter named Makar was invited to the king's palace... There he saw a beautiful woman trying on a crown. Makar fell in love, but was expelled from the palace. After undergoing all kinds of trials and heroic deeds, the former painter came to the palace to ask for the princess's hand in marriage, but saw before him a capricious ugly woman—and realized that he had been enchanted by the servant Katya.
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2011 · ★ 0.0 (0)
A wabi sabi summer in Japan: Observing that which is imperfect, impermanent and incomplete produces a series of visual haiku in teeming street life; Bodies in emotion, and leafprints in the mud.
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1988 · ★ 0.0 (0)
Musings about what it means to travel, let the imagination fly, and to escape from reality. Combines documentary footage, animation on paper, and hand-painted and scratched film.
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1984 · ★ 7.5 (4)
In NavelFable Mara Mattuschka subjects herself to a second birth through endless pairs of tights. Her body struggles so hard and in such a deformed manner from out of the layers of nylon that the sheer struggle for survival becomes visible.
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2009 · ★ 4.6 (5)
The Marina Experiment' is the result of over 10,000 photographs, super 8 home footage and reel to reel audiotape interrogations that director Marina Lutz's father made of her during her upper class upbringing in 1960s and 1970s Manhattan. A both eerie and infinitely fascinating archive that she herself has now sorted out and reassembled. Her father's transgressive voyeurism is turned against himself, while a courageous self portrait simultaneously grows out of the almost incestuously intimate 'home movies'. The result is a family exposé that can't be shaken off that easily, and which in an intelligent and absolutely unique way raises the question about the right to not be seen - a question that has become even more relevant in the present day.
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2014 · ★ 6.0 (1)
Struggling to find fulfillment in relationships, Sarah discovers that forgiveness is the key to true love.
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2007 · ★ 6.0 (1)
After many years, Dr. Knut Hansen marries his old childhood sweetheart Stina Thorwald.
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1992 · ★ 6.0 (1)
A story about a father who kidnaps his daughter and which the director describes as a love story that ended badly.
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