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1985 · ★ 0.0 (0)
Documentary film about the effects of the housing situation of Turkish foreign worker families on their children.
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— · ★ 0.0 (0)
After a mother’s will requires her daughters to decide their inheritance by placing a “sticker” on her belongings, the eldest daughter struggles to reclaim a prized pair of shoes from her child sister, before the wake begins.
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2025 · ★ 0.0 (0)
A satirical story about a world where adult children continue to drink their mothers' milk. The mother of the main character Olya, tired of such a life, decides to deceive her daughter and declares that the milk has disappeared. Olya spends time with her mother and, getting closer to her, looks for ways to get the milk back.
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1979 · ★ 0.0 (0)
Alanis Obomsawin shows children film clips about the struggle of a Cree boy who is caught between Indigenous and settler worlds. Following these clips, she has a discussion with the children about what they have seen.
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2025 · ★ 0.0 (0)
Quarantine. Dionysis, Giorgos, Stathis and Orestis have set up a guard at the house of their fellow student Anestis and are watching their friend Tony, who lives across the street. Dionysis planned this operation and is the only one who initially believes that Tony is planning to commit suicide. The other three, after sharing a story in which Tony seems not to be doing so well, are convinced. Suddenly, smoke comes out of Tony's apartment and they run across the street. Tony has simply burned his food. Relieved, the children stay there and Tony suggests that they call Anestis too.
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2020 · ★ 0.0 (0)
Is it possible to question images, and if so, what would they answer? Antoinette Zwirchmayr’s Fragebogen pursues this question in a cinematic gaze at an older white man.
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1994 · ★ 0.0 (0)
There is no end to transformations. Different living beings arise from each other, pass into each other as in an endless string of surprises and fun.
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1992 · ★ 0.0 (0)
In 1992, an independent South African puppetry group, the African Research and Educational Puppetry Program, were invited by OXFAM (Canada) to bring their highly successful educational program 'Puppets Against Aids' to tour rural and regional Canada for twelve weeks. This is the one-hour documentary that was produced from their Canadian Tour.
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2013 · ★ 0.0 (0)
Seiko Oomori live show and documentary on her If I Can't Use Magic I'd Rather Die Tour
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2024 · ★ 0.0 (0)
Four people are competing in a game of Simon Says, each hoping to secure one of the three available positions at a highly competitive job. At first, it seems like a fair challenge, but as the game progresses, it becomes clear that the rules aren't as simple as they seem. The game is rigged-much like the societal work system. Despite following the rules, making the right moves, and doing everything expected of them, the players begin to realize that the game isn't truly about skill or fairness.
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2024 · ★ 0.0 (0)
Bean's delusion makes her think she’s a surveillance camera. Every day, she stays in the parking lot with Fox, the manager, watching everything intently without moving. Life is dull until one day, a vending machine appears across the lot, and a boy named Daikon comes daily to buy a can of Coke.
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1989 · ★ 0.0 (0)
The history of Russian poetry contains a tragic episode: the tragic fate of the legendary Marina Tsvetaeva, who returned to the USSR shortly before the start of World War II, then committed suicide in 1941. The fate of her sister, Anastasia - also a poet - is lesser known, despite the fact that she, too, had a life as interesting and nearly as tragic. This video-portrait of Anastasia Tsvetaeva, shot when she was over 90, is a fascinating glimpse into the life of a woman who saw history unfolding. Despite her advanced years, she maintains a bright wit, a charm, and a joie de vivre, evident as she recounts her memories.
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2024 · ★ 0.0 (0)
Fumi has decided to move out and live on her own, but she worries about leaving behind her interfering father and older brother Mucchan, who has hidden away in his room for ten years. One day, she wanders into a strange town where the sun never sets, and happens to run into Mucchan there. Fumi’s father still meddles excessively in her life, and her brother gradually becomes invisible. Fumi’s vision juxtaposes her suffocating everyday life and summer days spent with her brother filled with laughter. Director Hina Murata’s first feature film, The Midnight Sun freely switches between screen sizes to delicately portray Fumi’s world. The effective use of embroidery as a prop, together with refreshing performances from Sakiko Honda as Fumi and Saki Toyoyama as Mucchan, bring a sense of reality to this wondrous world.
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— · ★ 0.0 (0)
2018, 2 minutes
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1991 · ★ 2.0 (2)
Yuko lost her husband in an accident. On that day, her sister-in-law Masako, who had come from her hometown, and they held a memorial service for her husband on the 49th day. Yuko, who broke up with her girlfriend Masako and was left alone, happened to meet her friend Yumiko from her school days on the street. The two had previously had a lesbian relationship...
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2021 · ★ 0.0 (0)
The film portrays the four young politicians Laura Isabelle Marisken, Aminata Touré, Gyde Jensen and Terry Reintke, who will help shape the future of Germany and the EU in the years to come. He moves back and forth between the different protagonists, draws fine lines between Brussels, Usedom, Kiel and Berlin and delivers a wide range of universal and big themes, packed in personal and intimate moments with the four strong and very different women, and shows how women’s politics works today, enthusiastic and engaged.
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2022 · ★ 7.0 (2)
The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.
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