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Marie is in a toxic relationship with Roxy as her pet puppy girl.
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1981 · ★ 0.0 (0)
Three young women in Adelaide, Australia, reflect on their past and futures. This is a shorter version of Fourteen's Good, Eighteen's Better, created for educational use.
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2024 · ★ 0.0 (0)
Malakavva, a female auto rickshaw driver in the city of Pune, navigates her way through life in a profession dominated by men, and where her own life has been shaped for the worse by the men in her life.
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2025 · ★ 10.0 (1)
Melissa Kelly, a Hamilton-based boudoir photographer helps women to feel powerful, confident, and embraced in their own skin. Through candid behind-the-scenes moments and heartfelt client testimonials, this documentary highlights how Melissa's work isn't just photography - it's an act of reclaiming self-worth.
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2024 · ★ 0.0 (0)
A short manifesto of self-acceptance, self-love and passionate internal conflict.
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— · ★ 10.0 (1)
A handsome new guest arrives at Nelly’s place on a seemingly ordinary Tuesday. They instantly hit it off but she soon finds out that she’s in for a surprise.
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1977 · ★ 0.0 (0)
How the human right to freedom, dignity and inviolability are represented in practice - from the Middle Ages to the present day.
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2012 · ★ 0.0 (0)
A young student finds her lack of English brings her considerable ridicule from her classmates.
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2013 · ★ 0.0 (0)
It is recorded in legend when a video store is threatened a chosen protector will rise
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— · ★ 0.0 (0)
This documentary was produced by Citizen Film and Young Community Developers, in collaboration with a coalition of organizations, enterprises, city agencies, and community partners. To create the documentary, Citizen Film’s Tamara Walker facilitated and captured constructive dialogue between African American officers and the communities they police, helping officers understand how they are perceived by the community, and how the community is perceived by them.
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2012 · ★ 0.0 (0)
A feature-length documentary that witnesses twenty-seven survivors of the Battle of Okinawa break their silence to testify the truth about the tragedy of “gyokusai,” forced group suicide, of Korean “military laborers” and “comfort women” brought from Korea. Just how were Okinawa citizens pressured and forced to commit group suicide in the final hours of the Pacific War, and what led to the near complete destruction of Korean military laborers and comfort women? Twenty years in the making since 'Song of Ariran -voices from Okinawa' (1991), Park Soo-nam’s third documentary returns to the subject of Korean military laborers and comfort women in Okinawa.
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2024 · ★ 0.0 (0)
A woman struggles to leave her apartment and face a reality she’s been avoiding.
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2008 · ★ 0.0 (0)
An experimental theatre project is touring Syria. Through interactive plays, they investigate violence in its different forms and question traditional social rules.
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2020 · ★ 0.0 (0)
Two sisters meet again after the oldest ran away from home on her 18th birthday, and left her younger sister Agathe with their troubled mother.
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1967 · ★ 0.0 (0)
A Kafkaesque story of the bureaucracy which governs our lives. A young man leaves his passport on a train and loses his identity in a mire of forms, documents and officialdom.
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2022 · ★ 0.0 (0)
A writer sits; she touches pen to paper as we enter her mind and meet a young woman fearing love; a daughter seeking peace with her father; a guy facing the loss of a dear friend; an older woman finding herself in an unwilling affair, and the writer herself, remembering the silence of her childhood--all five characters fighting for freedom from grief, for release and relief. A willful purging of what we left unsaid.
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2022 · ★ 0.0 (0)
Lila is an 18-year-old girl living in Brest, France. She recently decided to wear a veil, to the dismay of her family. After an argument with her boyfriend, Lila does not feel like celebrating Eid at home and decides to slip away.
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2020 · ★ 0.0 (0)
Patsy rehearses on stage for her first performance on stage after a nearly fatal car accident. Randy helps her through and her husband Charlie stops by to have a word.
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