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2022 · ★ 0.0 (0)
Filmmaker Kurdwin Ayub dances through Vienna on her own to the sounds of Go! Go! Gorillo, exploring public spaces in her black chador. She encounters amused groups of men and apathetic passersby, letting nothing disturb her calm or throw her off-beat. Dancing on her own, so to speak. The final highlight is a wonderful quote from Andrzej Żuławski in a U2 station!
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2013 · ★ 0.0 (0)
Pierre-Louis is through with Sterenn. Every night she tries to win him back. At a party, she meets Guillaume.
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2021 · ★ 6.5 (2)
Jane Campion's "The Piano", Palme d'Or at Cannes in 1993, retold in a single minute of animation by Inés Sedan.
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2008 · ★ 0.0 (0)
Documentation of live Expanded Cinema performance.
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2026 · ★ 0.0 (0)
Before the family home in Shalun, Taoyuan, was demolished under the Taoyuan Aerotropolis redevelopment project, the director's mother passed away unexpectedly. Yet in her absence, the family's long-fragile order seemed to stabilize, even appearing strangely "happy." This subtle and difficult truth compels the director to repeatedly return to the old house on the verge of disappearance, insisting on bringing back her father and brothers, who are trying to move on. As the boundaries between filming and being filmed blur, differing attitudes toward farewell gradually emerge, and long-suppressed memories begin to seep through. The director is left asking herself: Is this an attempt to preserve memory, or a way of trapping herself in a cycle of loss from which she cannot find closure.
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2025 · ★ 0.0 (0)
Aoi is a 17-year-old girl uncertain about her future, but one thing she’s sure of is her pride in being a junior to the legendary actor RYU Chishu, who graduated from her school a century ago. Unfortunately, she’s the only member of her high school’s film club, which now faces closure as her graduation approaches. One summer afternoon, she discovers an old, tattered script in the clubroom, sparking her imagination—who could have written it? As her thoughts run wild, Her strained relationship with her father, a homeroom teacher whose stance remains unclear—friend or foe— and navigates her interactions with a group of eccentric classmates.
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2024 · ★ 8.0 (1)
A girl with dreams to be a filmmaker dares to express her feelings to her uptight mother.
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2024 · ★ 0.0 (0)
Always the good daughter, Chieh-Ju meets Wai-bun, who has recently moved to Taiwan from Hong Kong, and the lovers soon contemplate marriage. During the wedding preparations, an unexpected encounter with Wai-bun’s old acquaintance from Hong Kong causes turbulence in the relationship, when secrets of Wai-bun’s past surface. Chieh-Ju realises that there is much she does not understand about this stranger from this strange place with a strange history, and her ideas of love, honesty, loyalty and goodness face an unprecedented challenge. This short offers a rare discussion of contemporary sexuality set against the recent social upheavals of the region.
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1996 · ★ 0.0 (0)
Documentary about Estonia's most rich woman.
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2018 · ★ 0.0 (0)
As part of her research, Dr. Elizabeth Burr, MD, PhD Psych., studies an aspiring social media star’s attempts to achieve online fame.
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1984 · ★ 0.0 (0)
Samia falls into the hands of Nawaem, who runs a brothel and drug trade. Love grows between her and the pimp Maher, and they decide to escape, but circumstances prevent Maher from catching up with her.
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2022 · ★ 0.0 (0)
Experimental dance and corporate management workshops intersect in Sarah Friedland’s Trust Exercises, which connects three spaces—a rehearsal studio, a company team-building retreat, and a bodywork session—in which participants learn to move together. In these complementary zones, the business and social worlds merge in the complex orchestration of rhythm and play.
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2006 · ★ 0.0 (0)
A compelling documentary about Deaf and Hard of Hearing people who were the FIRST citizens to become shut out from outside communication and ‘left in the dark,’ and the LAST to receive access to critical information, or be delivered from danger on September 11, 2001.
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2018 · ★ 2.0 (1)
Rooftop Refugee is a comedy that follows Martha as she attends her daughter Kylie's annual summer performance. The event is thrown into chaos by Mehdi, a young Syrian refugee boy who is threatening to jump from the school rooftop. And since it is much more exciting to solve other peoples' problems than your own, the parents who have gathered themselves next to Martha in the schoolyard have one mission: To make the boy come down from the roof. And even more important: To use the opportunity to spread their views on the world.
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2019 · ★ 0.0 (0)
Short animations from renouned authors dedicated to man-woman relationships.
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2018 · ★ 1.0 (1)
This documentary film attempts to analyze the dynamics of a massive fan-base; it focuses on the Beliebers (fans of Justin Bieber). The Beliebers are one of the largest fan-bases on the planet, they dominate social media and it seems that almost everyone has an opinion about them. Beliebers feel that they are generalized about and attempt to help non-Beliebers understand them through this film. From the charity work they do to the bullying they receive, the film attempts to uncover all of it by talking to Beliebers and non-Beliebers from around the world and sharing their experiences. Although the film will appeal to Beliebers, it is also targeted at those attempting to understand such phenomena and promotes communication and understanding from an unbiased position in general.
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2018 · ★ 6.4 (14)
The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.
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2000 · ★ 4.0 (1)
A woman drinks tea, washes a window, reads the paper: simple tasks that somehow suggest a kind of quiet mystery within and beyond the image. Sometimes one hears the rhythmic, pulsing symphony of crickets in a Baltimore summer night. Other times jangling toys dissolve into the roar of a jet overhead, or children tremble at the sound of thunder. These disparate sounds dislocate the space temporally and physically from the restrictions of reality. The small home-movie boxes within the larger screen are gestural forms of memory, clues to childhood, mnemonic devices that expand on the sense of immediacy in her “drama.” These miniature image-objects represent snippets of an even earlier media technology: film. In contrast to the real time video image, they feel fleeting, ephemeral, imprecise.
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