1991 · ★ 5.0 (3)
Anna is an only child and the child of divorced parents. Her parents get along reasonably well and are quite considerate toward Anna. One day, she discovers the dwarf, a tiny creature that she puts in her ear. When he is not asleep, he interferes in the little girl's problems. Anna has more than she can handle: living with her busy father, afternoons with her actress mother, her first day at school, her unpleasant neighbor Hermann, who falls in love with Anna. The latter was mistakenly caused by the dwarf, even though Anna is interested in Peter.
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2004 · ★ 2.3 (3)
Helin, on her father's death, travels from Tunceli, Turkey to Berlin to meet her mother and sister.
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2025 · ★ 6.0 (1)
A chance encounter leads Aya to pick up a stranger at the airport. When he disappears, he leaves behind a gnawing hunger-one which perhaps only a complete stranger could fulfill.
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2024 · ★ 0.0 (0)
Alan is 72 and lives with his mother Barbara. She worries about him being left on his own. After watching the film Sleepless In Seattle she hatches a plan to find him a nice lady.
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2021 · ★ 0.0 (0)
Aurelia is a girl out side of place with classmates. The only one friend with Aurelia is Daisy and they were usually together. However their friendship was broken from gossiping. After that, Aurelia made up her mind to go to the beach by herself and finished the picture for their deal. In the end they finally know their friendship was important to each other.
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2024 · ★ 7.0 (1)
A young girl, Goose, learns a hard lesson about life after meeting two kids in her neighborhood.
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2024 · ★ 7.0 (1)
Julie thought this was just another photography job, until she discovered the truth behind why she was hired.
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— · ★ 0.0 (0)
A reflection on love gone wrong and dual responsibility; an argument, a separation and the nature of love are explored in images and text.
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2024 · ★ 0.0 (0)
Adrián, a teenager grappling with the recent loss of his father, finds himself in the unexpected company of his blind cousin Ángel. As they forge an unlikely friendship, Adrian will face the choice of remaining tied to what he has lost or losing what he has left.
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2020 · ★ 0.0 (0)
Straight up angsty break up montage featuring cucumber. Created as part of WNDX's One Take Super 8.
-SB
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2016 · ★ 0.0 (0)
The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?
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— · ★ 10.0 (1)
A conversation between a mother and daughter on the topic of individuality and success.
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2022 · ★ 0.0 (0)
How do those who may die tomorrow live? Camille visits Louis and then Rosa. These images, shot by Raymond Depardon and Patrick Blossier, introduce her approach. In a playful intimacy, she then begins to film Germaine.
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2015 · ★ 0.0 (0)
The protagonist of this short documentary film is Alica Sigmund Heráková, who discovers at the age of twenty-five that she has Roma origins on her father’s side. Through the series of informal interviews and the personal narration, which are recorded either in Alica’s apartment or in assorted nearby locations, we feel ever closer to Alica, as if we were sitting with her at the same table and listening to her opinion on a variety of issues relating to the Roma minority in the Czech Republic, including segregation at primary school, negative prejudices and even racist preconceptions towards Romani people in everyday life.
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2021 · ★ 3.5 (2)
The novel “Fitness” by anarchic poet Stefanie Sargnagel is to be made into a film. The only condition on the part of film funding: Sargnagel should play herself. Surfacing alongside the author are numerous actors from the Viennese cultural landscape in cameo appearances to satirically dissect the Austrian culture industry and its mechanisms.
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2020 · ★ 6.9 (4)
Quarantine Tales is a collection of stories by 5 directors who tell the stories of life experienced during the pandemic.
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2015 · ★ 7.0 (1)
A theatrical compilation of new animated shorts, including: The Story of Percival Pilts (Janette Goodey & John Lewis, Australia/New Zealand); Tant de forest (Geoffrey Godet & Burcu Sankur, France); Snowfall (Conor Whelan, Ireland); The Ballad of Holland Island House (Lynn Tomlinson, U.S.); Behind the Trees (Amanda Palmer and Avi Ofer, U.S.); We Can't Live Without Cosmos (Konstantin Bronzit, Russia); Messages Dans L'Air (Isabel Favez, Switzerland); Stripy (Babak Nekooei & Behnoud Nekooei, Iran); Ascension (Thomas Bourdis, Martin de Coudenhove, Caroline Domergue, Colin Laubry & Florian Vecchione, France); Love In The Time of March Madness (Melissa Johnson and Robertino Zambrano, U.S. & Australia); World of Tomorrow (Don Hertzfeldt, U.S.)
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2014 · ★ 10.0 (1)
strolling (2014-2016)
twenty seven episodes, various lengths, colour, digital, uk/usa/jamaica/netherlands/italy/france/belguim strolling is a documentary series that follows the dialectical ruminations of people of the black african diaspora whilst walking within their locality. the series began in london and expanded to paris, amsterdam, brussels, milan, new york and kingston, covering various subjects. the series also explores the physical manifestations of these intimate yet global discussions. emeke, who was the cinematographer and editor on this project, takes a deliberately subjective approach, lingering the lens on fleeting and subtle secondary processes that emerge manifest through hands, feet, gesture and positionality to the space in which each interviewee occupies, perhaps made possible by emeke’s decision to film subjects alone, or with only one other person present.
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1992 · ★ 0.0 (0)
A Greek father, estranged from his German wife, kidnaps his daughter from her busy career mother in Berlin, and brings her home to live with his family. An international custody battle follows.
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